filmfest 2019

Filmfest is done and dusted for another year. Saw 25 films altogether of which but two were documentaries. Unsurprisingly documentaries aren’t really my thing. I think I had a reasonable festival this year seeing a bunch of good movies, a few fab ones and a dud or two. In choosing my films I tried to go for stuff I either wouldn’t otherwise see, or were unlikely for a later release. This did mean I missed some good stuff but it was good to push myself into less familiar territory.

No festival is really complete without seeing something too long for a regular cinema release and this year that film, at 7.5 hours (with 2 ten minute intermissions) was Sátántangó, a restored 1994 Hungarian movie. It was long and slow, yet interesting. It played with techniques, particularly around multiple perspectives and jumping around in the timeline. At the same, it spent a lot of time on observational shots, many minutes watching a character, or characters, go about their business. There was a sense of larger metaphors and indeed, the blurb referred to it as an allegory of the decline of Hungarian Communism. I sorta feel I need to read an essay or three to fully appreciate it.

Surprisingly for me, the film that won best picture, Parasite [Sth Korea], was also one of my favourites. I tend to find my choices out of sync with the broader audience and it is rare for my favourites to appear in the top bunch for festival goers. Parasite by Bong Joon-ho, who also did Snowpiercer, had a nice, warm flow which was never going to end well, yet took some surprising twists in narration as it spiralled down toward the end. It mixed genres deftly, and with humour, while remaining consistent in its social critique.

My faves

Other interesting titles

Things I missed and hope to see later

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